One of the album's highlights, "Two Ghosts," showcases A Circus' more reflective and emotional side. The song’s haunting melody, paired with Ronnie Romero’s evocative vocal performance, evokes a feeling of longing, clearly paying homage to the magical atmospheres of Blackmore’s Night. The lyrical theme of two ghosts searching for one another serves as a poignant centerpiece for the album, blending rock and softer, acoustic textures.

"The Sleeper," the longest track on the album, allows the band to delve deeper into their progressive tendencies. It shifts through several different moods and tempos, with intricate guitar work, atmospheric keyboards, and a powerful vocal performance that showcases Romero’s range. The orchestral elements in the closing section further enhance the track’s epic feel, making it a standout moment.

To get a sense of the band's eclectic nature, listen to “Burn The Witch” followed by “Swing Little Girl.” The stark contrast between these two tracks captures the essence of A Circus’ stylistic versatility.

A Circus’ debut is a well-executed project that seamlessly blends classic and modern rock influences with progressive flair. With standout performances from each member, it delivers both powerful rock anthems and introspective, melodic pieces. It’s a promising start for the band and a pleasant, unexpected surprise. Prog Radio is excited to introduce our listeners to many of these tracks, and we’ll be featuring the album in Monday’s “What’s New Proggy Cats?” broadcast.

4.5 Stars