Prog music, at its core, is characterized by its dynamic shifts and intricate structures, but what sets certain Prog works apart is their compellingly melodic voyage, offering listeners an escapist portal to worlds far removed from our everyday reality. As champions of the more accessible side of the genre, we at Prog Radio were thrilled to sink our ears into the transcendent sounds of Oblivion Protocol's debut album, "The Fall of the Shires." Fronted by Richard West – the force behind the keys for British prog-metal pioneers, Threshold – this album emerges as a captivating sequel to Threshold’s ‘Legends of the Shires.’

West's decision to craft a follow-up to ‘Legends of the Shires’ – a choice stemming from a personal desire to remain in that universe a bit longer – is one that will resonate deeply with fans. This new offering is not merely a continuation; it is an evolution. Oscillating somewhere between the nuanced sounds of Rush, Steven Wilson, Pink Floyd's ‘Dark Side of the Moon’ epoch, and the hard rock maestros, Ghost--Oblivion Protocol crafts a sonically dense experience. Richard’s distinct vocal timbre, combined with the atmospheric keyboard arrangements, ties this album back to its predecessor, yet showcases its own unique identity. Fans familiar with the previous saga will revel in the intricate references that pay homage to the first chapter, all while being swept up in the grandeur of Oblivion Protocol’s magnificent aural tapestry.

The band is no less than a supergroup, a communion of gifted musicians who've previously lent their prowess to the likes of Within Temptation, Darkwater, and Devin Townsend. Richard's camaraderie with these maestros, including some entrancing guitar solos from Threshold's own Karl Groom, sets the stage for musical excellence.